Piano music by Frédéric Chopin (1810-1849): Nocturnes & Polonaises
Viv McLean invites us to explore the complex and sometimes competing facets of Chopin's musical personality. If the nocturne signifies Chopin's love for the human voice and the polonaise represents his love for the national dance of his homeland, McLean's approach seeks to marry the two, finding songs in the dances and dances in the songs. As a result, the performances are richly textured. His playing is improvisatory yet logical, sensitive but confident.
This is a worthy addition to any collection.
Jason Sifford, Piano Magazine / ClavierCompanion.com
1. Prelude in C Sharp Minor Op. 45
2. Nocturne in E Minor Op. 72 No. 1
3. Polonaise in C Sharp Minor Op. 26 No. 1
4. Nocturne in C Minor Op. Post.
5. Mazurka in A Minor Op. 17 No. 4
6. Nocturne in C Sharp Minor Op. Post.
7. Ballade No. 3 in A Flat Op. 47
8. Nocturne in G Minor Op. 37 No. 1
9. Nocturne in E Flat Op. 9 No. 2
10. Polonaise-Fantasy in A Flat Op. 61
Live Recordings: Piano music by Bach, Brahms, Liszt, Medtner & Schubert
STONE RECORDS / Catalogue No:
5060192781014
Brahms's Rhapsodies Op. 79 offer sweeping drama in robust, textually clear performances.
Medtner's Fairy Tale Op. 8 No. 2 is the star of the recital, beautifully shaped.
Liszt's Mazeppa from the Transcendental Etudes is characteristically exciting.
Colin Clarke, International Piano
A passionate and diverse survey, virtuoso style
Gary Lemco, Fanfare Magazine
Bach – Prelude & Fugue in E flat minor BMV 853
Brahms – Two Rhapsodies Op. 79 – I – Agitato
Brahms – Two Rhapsodies Op. 79 – II – Molto passionato, ma non troppo allegro
Schubert – Sonata in B flat D 960 – I – Molto moderato
Schubert – Sonata in B flat D 960 – II – Andante sostenuto
Schubert – Sonata in B flat D 960 – III – Scherzo
Schubert – Sonata in B flat D 960 – IV – Allegro ma non troppo
Medtner – Fairy Tale Op. 8 No. 2
Liszt – Transcendental Etude No. 4 – “Mazeppa”